Seattle Fashion Collective - Review
“It was a packed house in the historic Jewelbox Theater at The Rendezvous in Seattle…everyone in attendance was transfixed by the spellbinding and deeply moving performance which might best be described as an invitation to a cathartic experience.” Read more at Seattle Fashion Collective
Schmopera - Editorial
”If you’re not familiar with the work of Seattle-based photographer, model, and mezzo-soprano Roxanna Walitzki, her latest music video is a great way in.”
Seattle Fashion Collective - Editorial
”Since her move to Seattle nearly five years ago, Roxanna Walitzki has made waves throughout the arts community. Naturally gifted, she has created a wealth of expression that has been voiced through music, fashion and photography. While her areas of interest have shifted throughout the years, one theme has remained consistent: Duality…It’s for these and many other reasons that Seattle is losing a great talent and accomplished artist with more beauty to share than there are mediums to contain it.” Read more at Seattle Fashion Collective
Miroir Magazine - Feature
”In a poignant ode to solitude, the elements rage around Walitzki as she struggles to maintain her footing on hostile terrain. Billowing winds sweep her body, but the poised mezzo-soprano turns inward, emitting a haunting, heartfelt plea for the world to let her be...” Read more at Miroir Magazine.
Miroir Magazine - Video Premiere
Video premiere of "Sure on this Shining Night"
NW Music Scene - Premiere
Premiere of Roxanna's latest single.
The Evergreen Market - Review
"[Roxanna's] opera-inspirational sounds filled the space with a melody that was calming and passionately exciting." Recap of live performance at The Goodship Co's Higher Education Event.
NW Music Scene - Review
"[Roxanna's] vocal prowess, coupled with her unabashed bravery, is meant to be seen as well as heard...If you see her name on any project, it’s worth a listen. You will hear the future." Read more at NW Music Scene
Beautiful Bizarre Magazine - Feature
"[Roxanna's] performances interpret these sounds of nature, as well as the sounds of the body, and in effect, the human soul. Her velvet voice celebrates the divine wilderness of nature in solitude, and evokes the inhabitants of the woods..." Read more at Beautiful Bizarre
Yay! LA Magazine - Interview
Opera singer Roxanna Walitzki’s speaks about bringing the art-form into the 21st century and the themes behind her debut EP Exquisite Corpse.
Schmopera - Interview
Roxanna discusses blending electronic music with Fauré and Debussy, and the relationship between death and beauty. "Where there is decay there is also new life."
FDRMX - Review of Roxanna Walitzki's "When I am Laid in Earth (Dido's Lament)"
"...Walitzki, in the spirit of Purcell’s Dido, is beautifully expressive, reaching towards the heavens, enveloped in clouds of smoke against ethereal lighting...The song, in liaison with this video, is a work of art; one of which, for those don’t usually find themselves listening to opera, might spark a newfound interest!"
Read more at FDRMX
Ego-Alterego - Feature
Seattle PI: Interview with Roxanna Walitzki and Anthon Smith
Roxanna recently chatted the Seattle PI Arts and Culture blog about her video release "When I am Laid in Earth (Dido's Lament)"
The Beautiful People Project: Profile on Roxanna Walitzki
The Beautiful People Project is about “humans, values, creativity and dreams,” and features profiles of artists from various disciplines. Read an interview about Roxanna’s musical journey and what inspires her here!
“Roq La Rue - The Baxter Collection Opening Party”
By Robbie Lowery at Arrested Motion
“In addition to the art, the opening featured the music of the talented Roxanna Walitzki...Her operatic voice filled the gallery accompanied by a keyboard as an enthralled crowd looked on.”
“A Stunning End of Season”
By Stephen Smoliar at SF Examiner
“Roxanna Walitzki sang this not only with all the precision necessary to unfold Strauss' rich harmonies but also with a sensitivity that captured the intensity of Octavian's situation. Together Walitzki and Young wrapped themselves around Strauss' duet with all of the intimacy implicit in Hugo von Hofmannsthal's text.”